Bartlett Sher has directed a Joe Turner that is absorbing in fits and starts. But it fails to build to the tumultuous finish that is surely demanded.
The musical may have moved indoors, but Hair has stayed as fresh as when it was playing in Central Park last summer.
The B movie gets a hilarious, laugh-a-minute musical makeover...
Rock of Ages isn't exactly rocket science, but it's extraordinarily entertaining and extremely catchy
LaBute's latest is a step up from his totally one-sided battle of the sexes. Face it, women have feelings, duh?
Christopher Durang is a risk-taker. And with his latest play Why Torture is Wrong, and the People Who Love Them, the risk has paid off. He's come up with a biting, bracing absurdist comedy on a very controversial subject.
Lorenzo Pisoni puts himself in harms way in an enjoyable one-man show that's just the right length-for a change.
Irena's Vow is a marvelous tale, but lacks the nuance to make it the inspiring ideal it should be.
This pedestrian production of Macbeth packs buckets o' blood but few genuine frissons
Jane Fonda is alive and well and back on Broadway. The play's pretty interesting, too.