Two productions take two very different approaches to Chekhov – one traditional, one very much not.

Poppy score aside, this tale of the high school uncool has been told a million times before.

Alan Bennett's much-anticipated new play attempts to comment on English society and comes out a jumbled mess.

Lucy Kirkwood’s effervescent new play takes a serious look at the body fascism of today’s magazine culture.

Of the two current productions of Uncle Vanya, this one takes the more traditional approach.

A few production quibbles aside, this is an enjoyable modern-dress production by Philip Breen.

Jez Butterworth's new play enters into a psychologically intriguing space in a secluded cabin.

By modernising without humanising, reviving this 17th-century Catholic morality lesson seems a dark affair indeed.

Howard Barker’s irreverent juxtaposes political dictates and artistic integrity in a timeless clash.

This peppy musical comedy attempts to set the struggles of college brainiacs to song.