Acted with terrific verve, JM Synge’s grotesque 1907 comedy still has a bilious wit and a devilish glee.

An excellent cast, led by Tamsen Greig, handles the chaos and confusion the characters are battling with both hilarity and grace.

Not surprisingly, the stage version of Cool Hand Luke fails to deliver in the same way that the film version did.

A masterful handling of Arthur Miller’s psychological drama makes a convincing case that this should be considered among the playwright's finer works.

Edward Bond’s seminal 1965 drama paints human nature in its starkest and most difficult-to-watch form.

In his 19th century-set new play, Conor McPherson could have paid more attention to the tangible world than to that which we can't see.

While the relationship between these characters is touching, the tension brewing outside their car is not conveyed effectively.

Rock of Ages is knowingly silly and tasteless, whole-heartedly vulgar, sometimes overly frantic and altogether a brash good night out.

Despite strong performances by the cast, the peasants in this 1822 Ireland evoke little sympathy for their plight.