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Features > London Theatre Archives
REASONS TO BE PRETTY
at the Almeida
TELL ME I'M BEAUTIFUL
The third play in
Neil LaBute’s
trilogy explores how the way we look influences the way we are treated.
Reviewed by:
JOHN NATHAN
RICHARD II
at Donmar Warehouse
HEAVY LIES THE CROWN
As Richard falls from king to mere man, there is a kind of madness in
Eddie Redmayne's
performance that is delicious.
Reviewed by:
DAVID BENEDICT
THE COMEDY OF ERRORS
at the National (Olivier)
SEPARATED AT BIRTH
Seriousness and slapstick fumble over each other in a modern dress production of
Shakespeare’s
early farce.
Reviewed by:
JOHN NATHAN
MATILDA
at the Cambridge
TOP OF THE CLASS
This is one musical that will prove to be around for some time – if one's telekinetic powers are right.
Reviewed by:
CLIVE HIRSCHHORN
HAMLET
at the Young Vic
CONSCIENCE OF A KING
With
Michael Sheen
as the lead, this is Hamlet’s solo show, with a few mad extras.
Reviewed by:
MICHAEL COVENEY
MATILDA
at the Cambridge
CHILD'S PLAY
The musical adaptation of
Matilda
is a grotesquely funny, irresistibly touching and dazzlingly clever triumph of family entertainment.
Reviewed by:
SAM MARLOWE
DEATH AND THE MAIDEN
at the Harold Pinter
PAIN UNSPEAKABLE
Ariel Dorfman's
modern classic about torture, unfortunately, is as relevant today as ever.
Reviewed by:
JOHN NATHAN
THE LION IN WINTER
at Theatre Royal, Haymarket
ONE BIG HAPPY FAMILY
This star vehicle set in 12th-century England has surprisingly never been performed in the West End before.
Reviewed by:
ALLEN ROBERTSON
THREE DAYS IN MAY
at Trafalgar Studio 1
AT THE PRECIPICE
The day that Winston Churchill almost took Britain out of World War II offers up a big, juicy bite of history.
Reviewed by:
CLAIRE ALLFREE
WRITTEN ON THE HEART
at Swan Theatre
DUSTING OFF OLD TEXT
David Edgar
tells the story of how the King James Bible came about, almost by accident.
Reviewed by:
MICHAEL COVENEY
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