Theater News Online
free issue
London Theatre Reviews
NY Theater Reviews
LTN Recommendations
NYTN Recommendations
Book Reviews
Movie Reviews
London Theatre Archives
NY Theater Archives
Latest New York News
Latest London News
NY News Archives
London News Archives
Peter Filichia's Monday Quiz
Dining and Travel
London Theatre Listings
NY Broadway Listings
Off-Broadway Listings
London Tickets
Advertise with us

Give a Gift


Adagio Teas
   Features  >  NY Theater Reviews

at Wild Project, 195 East 3rd Street

By Matt Windman

  Ken Forman/PH: Dale May

Is 33 to Nothing a musical or play with music? More specifically, is it a contemporary rock musical or a play combined with the rehearsal of a rock concert? Consider Spring Awakening, where the characters of Wedekind's 1891 German teen tragedy suddenly break into emo-rock ballads using hand-held microphones. Or, Hedwig and the Angry Inch, where the troubling life of its title transvestite is meticulously explored not only in dialogue, but the songs that make up Hedwig's concert.

33 to Nothing takes takes place during an alcohol-laced rehearsal of a downtown NYC garage band. Its members, all in their early to mid-30s, are on the verge of breaking up. Gray, the lead singer-songwriter, and Bri, his boyfriend/lead guitarist, have already split, leading to an uncomfortable situation for everyone. Meanwhile, the bass guitarist and rhythm guitarist, recently married, are on the verge of moving away to suburban New Jersey.

As with Spring Awakening and Hedwig, the songs in 33 to Nothing do not propel the plot forward, but rather reinforce character. Unfortunately, though the songs are attractive, they only reflect the emotions of its lead singer and relate only to his recent lost relationship. Since the entire plot could be explained without the aid of the songs, 33 to Nothing really is more of a drama with songs, or behind-the-scenes look at the making and breaking of a band, rather than an actual musical.

Like the John Doyle revivals of Sweeney Todd and Company, the ensemble cast is capable of playing both characters and instruments. But most impressive would be the performance of Grant James Varjas, also the songwriter of 33 to Nothing, as the lead-singer, who is embittered by the band's eminent breakup, grieving over having lost his boyfriend and suffering from an alcohol overdose. He is also on the verge of being homeless, having been secretly living in the band's soon-to-be-vacated rehearsal garage.

33 to Nothing is performed at The Wild Project, a recently renovated Off-Off-Broadway space in Alphabet City formerly known as the Bottle Space. Advertised as the city's first "green" theater, the eco-friendly 99-seat space features recycled glass tiles, bamboo plywood, low flush toilets, rooftop solar panels, energy-efficient glass windows and offers a selection of organic beer and wine.



SUBSCRIBE TO New York Theater News
SUBSCRIBE TO London Theater News

Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.

Wine, Fruit, and Gourmet Gift Baskets.
Privacy Notice   |   Front Page
Copyright © All Rights Reserved.