There is much to like about this revival of Jonathan Lewis’ ensemble piece set in a military hospital.

An austere production leaves the focus on Jonathan Pryce's Lear's physical and emotional dominance over his daughters.

Comedy was king this past year, but so (again) was Mark Rylance.

Set against the backdrop of Ireland’s post-settlement civil war, there is plenty of comedy in Sean O’Casey’s 1922 tragedy.

Mike Leigh’s latest play builds in tiny increments to a devastating conclusion.