There's a reason that Eugene O'Neill's experimental epic rarely gets taken on, but this cast and crew handles it well.

This adaption of Mark Haddon’s novel does an exemplary job of letting us inside the protagonist's autistic mind.

There is much to like about this revival of Jonathan Lewis’ ensemble piece set in a military hospital.

An austere production leaves the focus on Jonathan Pryce's Lear's physical and emotional dominance over his daughters.

Comedy was king this past year, but so (again) was Mark Rylance.