The actors' best efforts can't save what is basically a two-dimensional portrait of self-aggrandisement.

Matthew Warchus’ production opts for a stage-thriller kind of theatricality over a more nuanced approach.

Ironically, the story here focuses on a musical production that lacks depth.

Mike Bartlett’s brilliant play imagines the moral struggles that take place behind royal walls.

This old-fashioned mock thriller spirals into dizzying flights of invention and hilarity.