William Shatner’s new one-man show makes for a fun evening of personal reminiscing, video clips and one of his strange musical performances.

Norbert Leo Butz steals the show as a heartwarming uncle with an unhealthy relationship with his younger niece.

The characters in Erika Sheffer’s are painted with gripping realism and more than one threatening streak. 

While incendiary for its time, the 1956 English drama Look Back in Anger has not aged well.

If Jeremy Herrin’s pitch-perfect production is agony to watch, it is agony for all the right reasons.

Tyne Daly takes on legendary opera diva Maria Callas in Terrence McNally's 1996 Tony winner.

Stuffed with good humour and seasoned with tart observation, this is a triumphant comedy.

Between the design and direction, a great deal of The Changeling's vitality has been squeezed out of it.

Director Jamie Lloyd stoops to a lowbrow delivery of this 18th-century comedy of errors.

Behind the sensationalism of Philip Ridley’s 1991 play is a story of two siblings' tenderness and vulnerability.

David Haig takes on the role of George III, kept indoors with sickness and driven out of his wits.

Comedy was king this past year, but so (again) was Mark Rylance.

A musical that has accumulated a trove of accolades since 1949 seems to have lost some of its magic on its way to modern London.