This play needs some trimming, but the inquiring mind at the heart of it makes for an intriguing character.

The three plays in Sean O’Casey’s trilogy take place during a period of violence and unrest in Ireland. 

Dave Malloy's a cappella musical features eight people struggling with 21st-century techno-problems.

We get a privileged glimpse of WWII resistance through a real-life couple's letters.

Jesse Eisenberg’s slow-boiling new work layers cringe comedy with moments of pathos.

Sam Shepard’s bleak family saga is handled capably by this ensemble.

The Prom and Tootsie are among the highlights on offer for anyone visiting the Great White Way.

This well-oiled exercise in classic farce lacks that special sauce.

A wonderfully inventive productive balances gore, humor and pathos exceedingly well.

This new musical version of the film focuses on mayhem and humor, less so on plot.

Halley Feiffer’s semi-autobiographical dark comedy looks at the ways one can fall victim to toxic masculinity.

This exciting new musical takes the audience on an intoxicating journey to the Greek underworld.

Arthur Miller's play about risking lives in exchange for corporate profiteering has not lost its relevance.

Lucas Hnath's fictionalized account of behind-the-scenes maneuvering during the 2008 presidential campaign is tightly written, but it pulls too many punches.

Heidi Schreck’s deeply felt play is sure to get audiences pondering important questions.

This superb jukebox musical about The Temptations churns out one hit after the next.

Lyndsey Turner's production of this landmark drama is at once up-to-the-minute and historically accurate, sparkling with brilliance throughout.

Josie Rourke has reworked this musical for the modern age in the most thrilling fashion.

The visual effects and the performances are the highlights of this long, ambitious production.

Although a black Willy Loman seems incongruous with his character, the performances here are exceptionally moving.

This lightweight, highly enjoyable version is sure to fare better than past productions.

Maggie Smith gives a mesmerizing performance as a real-life woman who turned a blind eye to the Nazis' crimes.

This fragmented, unconventional piece is tough to pull off on stage, and it is mishandled here.