Ian McKellen and Patrick Stewart deliver the absurdity and comedy in these two plays with expert hands.

Fans of Burt Bacharach can enjoy old hits presented in creative new ways in this musical revue.

Ethan Hawke leads a host of underwhelming performances in Jack O’Brien's effects-heavy production.

Alisa Solomon’s book provides wonderful insight into the works of Sholem Aleichem and what Fiddler means to both Jews and non-Jews.

This exuberant new Broadway musical revue pays loving homage to the musical glory days of Harlem in the 30s.

A. R. Gurney's latest play is a deftly constructed story of white upper-class characters on the cusp of change in 1950s America.

Filled with lunatic sight gags and the wittiest show tunes in years, this is the new king of musical comedy.

Hot playwright Bruce Norris examines the fallout when a man wants it all, and then some.

Despite an impressive performance form Daniel Craig, Mike Nichols' production gets away from the essence of Pinter's work.

A full National production is unable to inject excitement into Georg Kaiser’s 1912 play.

Jude Law’s Henry shows sympathy and humility in a production that echoes the moral complexities of war.

Bijan Sheibani presents a fresh, sophisticated take on Erich Kastner's classic story.

Jude Law is in fine form in this crisp, satisfying production by Michael Grandage.

Barry Humphries' pulls out all the stops for an all-inclusive farewell show.

The creative team makes an effort to stay true to Patricia Highsmith's novel while also pulling elements from Hitchcock's film.

Jez Butterworth’s jagged, vivid language burns bright, and the performances sizzle with volatility.

Susan Stroman’s high-energy production rattles by in an uninterrupted two hours, with choreography fizzing.