With her life's work, Mazzie's gift to theatergoers and colleagues alike was happiness in its purest state.

Sasson Gabay has big shoes to fill taking over the role of Tewfiq, but the show hasn't lost its step.

Bernard Shaw's 1919 dramedy remains a multi-dimensional portrait of human nature.

A short run of this revelatory 1983 musical marks a homecoming of a show that has entered theater history.

Lillian Hellman's play gets off to a slow start, but it really comes alive in the second act.

There's not a shred of originality in this repurposing of the 1990 film.

While the cast album of Carousel is as disappointing as the revival, My Fair Lady is one of the albums of the last 60 years.

This cliché-filled musical is derivative of all that came before it, without the tunes to back it up.

The schmaltz goes down more easily in Joel Grey's deft production.

Quality music, acting and stage production help sell this nostalgia vehicle.

This musical is so full of cheesiness and clichés that anyone who buys a ticket will come to regret it.

Renée Taylor’s tells tales of a life in show business in her one-woman show.

As the Best Musical continues to soar, Sasson Gabay brings a different take to the role of Tewfiq.

Good intentions and terrific songs don’t add up to a good rock musical.

Young Jean Lee's well-executed new work is both political satire and a philosophical study of human limitations.

Despite the school shootings that have happened since the film, the musical continues to land in multiple cities.

Despite the gratuitous self-indulgence and unnecessary digressions, Andrew Lloyd Webber's memoir offers some valuable insight into his musicals.

Martin McDonagh’s 1994 blood-fest blends violence and comedy into a unique cocktail.

A decade later, Ian McKellen returns to the titular role, as compelling as ever.

Adrienne Warren inhabits the power, pain and sensuality of Tina Turner in captivating fashion.

With André Holland in the title role, here at last is an Othello who is much more a thinker than a warrior.

Nina Raine's timely drama about sexual politics can be hard to watch, but it's also important, fascinating and viciously funny.

Although Ionescu’s 1962 play parallels today's turmoil in some ways, this new version fails to resonate.

Something must have gotten lost in translation in this laborious adaption of Ionesco's play.

Alan Bennett delivers some funny and touching moments in this story about patients in a geriatric ward.

Three hours fly by watching this stunningly acted, impeccably directed and visually extraordinary production.

Ian Rickson’s finely textured production of this elegant, poetic play achieves on levels both epic and intimate.

David Haig has written an excellent play about the important role that weather played in the D-Day invasion.

Ian Rickson's production cements this as one of the great English-speaking plays of the last 40 years.